It was surreal – he wouldn’t show anyone the horse, he would always hide it.”īy 1988, Rader had directed his first movie: a little-seen horror piece called Grandmother’s House, produced by Greek impresario Nico Mastorakis – the chap who also gave the world such films as Blood Tide and Ninja Academy. One of the things that made the Mariner unique in my script was that he originally had a white horse on his boat, which was a river barge at that point. “There were also some very surreal elements. ![]() ![]() “There were all sorts of very odd, funny touches like that,” Rader said. ![]() Tonally, however, Rader’s screenplay had more eccentric and colourful elements than the shooting drafts the story’s villain, called Deacon in the finished film, was originally called Neptune, and “he had a trident and sat in a clamshell throne.”
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